UT and MUO chiefs with Toledo City Councilpersons, see page 8 TOLEDO: TINTA CON SABOR DENTRO: Bush, GOP stumble through Incierto futuro de inmigrantes en EEUU.2 Divisiones entre los republicanos.3 La Posada y Detroit Best Games.7 Campos poem.7 Carla s Corner.10 HOROSCOPO.10 Deportes.12 Events Obituaries.17 García s cartoon.18 Mayan mural.19 Classifieds Breves: La Prensa Radio! Escuche WCWA 1230AM, cada domingo 8:00 PM COLUMBUS 100,000 Holiday Wishes, p. Dagmar Morales page 13 Santa Claus/Elves & La Prensa wish everyone Feliz Navidad y Prospero Año Nuevo. 15 After decade of NAFT AFTA, A, Mexican far armer mers see little, page 3 Latinas in the NewS: Gratis! Marisol Ibarra & Dr. Insurance Agency 4642 West 130th Street Cleveland, OH Se habla español CLEVELAND LORAIN DETROIT, Since 1989 FREE! Ohio & Michigan s Oldest & Largest Latino Weekly Check out our Classifieds! Checa los Anuncios Clasificados! Dec/diciemSpanglish Weekly/Semanal 28 Páginas Vol. ![]() Vernor Springwells Maggie Rios Agente Asociado Monin & Associates Inc. Detroit MI Carne a la Parrilla Burritos Pollo Dorado Licuados Quesadillas Pozole Carne de Puerco en salsa verde Breakfast Super Burro Livernois I-75 W. Toledo, OH Se Habla Español For All Your Restaurant Equipment Needs Taquería El Nacimiento Mexican Restaurant Hours: Mon-Thur: 9AM-12AM Fri & Sat: 9AM-3AM Sun: 9AM-12AM Jugos/Tepache Tacos Aguas Mojarra Frita Tortas Tostadas Caldos Mariscos Bienvenidos! Mexican Restaurant & Catering W e l c o m e! Carry-Out Phone: W. This critique of the art market helps to explain Meireles's stance on rejecting identification as a conceptual and political artist, despite the fact that his opus can be seen as both political and conceptual.1 Happy Holidays! Feliz Navidad! Prospero Año Nuevo! La Prensa Distribution: Ohio Defiance Lima Ottawa Holgate Wauseon Napoleon Fremont Lorain Akron Toledo Feliz Navidad y Prospero Año a Nuestros Amigos Council St. Proposing a differentiated art history, offering an autochthonous point of view, Malasartes's editors challenged the traditional view of the artwork as an isolated, commodified object, inserted in larger art movements through the stultifying imposition of stylistic categories on the artist. Revealing, in particular, the manner in which this generation of artists criticized the incipient art market in Brazil, then seen as synonymous with the larger art system. Revisiting theses debates permits a deeper understanding of Meireles's view of art and politics. ![]() These shaped the theoretical ideas that would inform the Brazilian art scene in the 1970s. This groundbreaking magazine, founded by Meireles and eight others in 1975, published texts crucial to Brazilian art history and translated international articles. I argue that the artist builds his notions of conceptual and political art based on socio-artistic theories propagated in the short-lived but highly influential publication, Malasartes. I use his rejection of these terms to reconsider conventional categories of the political in Latin American conceptualism as these have been historicized in the late 1990s and early 2000s. This article examines Cildo Meireles's refusal to describe Red Shift, his 1984 installation, as conceptual, political art.
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